Brand Discovery

Absecon Group

Tom, before I start designing anything, I want to show you what I found. I looked at 11 firms in the space, pulled their sites apart, and used what I learned to build three visual directions for Absecon Group. This is that work.

Prepared byBen La Rue
DateFebruary 2026
StatusDiscovery
Chapter 01
Starting Point
Who you are, what you're called, what we're working with.

What you do

Political strategy, paid media, public affairs. Pentagon-grade influence campaigns and presidential-cycle Super PAC media on one end, county-level license-to-operate work for utility-scale energy on the other.

$200M+in paid media planned and executed
15+independent expenditure campaigns

Director of Digital Media at the Pentagon under Secretary Austin. Primary paid media for Priorities USA (largest Dem Super PAC, 2020 cycle). You don't need to explain your credentials. You need a brand that reflects them.


Absecon

Absecon is a barrier island on the New Jersey Shore — Atlantic City, Ventnor, Margate, Longport. From the Lenape word Absegami: "little water," or in some translations, "place of swans." The Lenni Lenape who lived there were Unalachtigo — people who live near the ocean.

It's personal to you. It roots the firm in geography and history rather than fabricated consultancy language.


Absecon Lighthouse, 1857

Absecon Lighthouse, 1857. 171 feet tall, the tallest in New Jersey, third-tallest masonry lighthouse in the country. Designed by George Gordon Meade, who went on to command the Union Army at Gettysburg. It was the first lighthouse built under the new U.S. Lighthouse Board, and it became the prototype for Barnegat and Cape May Point.

Built because 64 ships were lost off Absecon Beach between 1847 and 1856. 598,634 hand-laid bricks. Conical taper (frustum of a cone). Yellowish-white exterior with a single black horizontal band. Original Fresnel lens still in place. 170 years standing.

Absecon Lighthouse, Atlantic City — Library of Congress, Carol M. Highsmith Archive
Absecon Lighthouse, Atlantic City. Library of Congress, Carol M. Highsmith Archive. No known restrictions on publication.
Note the conical taper, the single black band, the lantern room proportions. This is what we're working with.
More angles: Official GalleryUSLHS ArchiveAtlas Obscura
Why this matters

First of its kind. Built because the existing approach wasn't working and ships were sinking. Simple, purposeful construction. No ornamentation, just proportion. That's your brand story in a building.


Brand Personality

Sophisticated — never precious
Not mom-and-pop or boutique
Mature — doesn't need to explain credentials
Not generic political (red/white/blue, eagles)
Accessible — information clear, never hidden
Not trendy startup (gradients, neon, rounded)
Scalable — feels institutional from day one
Not overly "designed" — design serves content

Who sees this

Your audience: political operatives, energy developers, trade association leaders, corporate PA teams, campaign managers. Not design people. Functionally conservative in visual taste regardless of politics. They assess credibility through signals of institutional weight, not visual novelty. Time-poor, information-oriented. They won't explore a site. They'll scan it and decide in seconds.

The brand has to look good enough to signal taste and competence, then get out of the way. Your copy is already strong.

Chapter 02
Type
What every firm in this space actually uses, and where the openings are.

What everyone defaults to

Political firms overwhelmingly default to sans-serif. In 2018, 68% of Democratic and 62% of Republican campaigns used sans. But the real differentiator isn't serif vs. sans. It's weight, contrast, and spacing. Democrats lean geometric and light (Gotham, Montserrat). Republicans lean bold and condensed (Proxima Nova Bold, Franklin Gothic). Advisory firms tell a different story. McKinsey and Brunswick both moved to serif headlines recently, part of a broader return to serif after a decade of everyone looking the same.


Firm by firm

Precision Strategies
Custom sans-serif (likely Shentox)
Clean, bold, modern. Paired with vibrant accent colors — the most visually energetic type treatment in the political set.

SKDK
Helvetica / Arial (system)
No custom type. Hierarchy does the heavy lifting.

Firehouse Strategies
Roboto
Google's default. Professional but interchangeable.

McKinsey
Bower (custom) + McKinsey Sans
Custom serif named after the founder. Falls back to Georgia + Arial in decks — custom fonts don't embed in PowerPoint.

Brunswick Group
Petit Serif + Helix 350-450
Best pairing in the set. Serif headlines, sans body.

Booz Allen Hamilton
Franklin Gothic / Inter
Government-adjacent. Functional.

Most of these firms use whatever came with the WordPress theme. Brunswick and McKinsey, the two that actually feel premium, both made deliberate type choices. That gap is our opening.


What type signals

Institutional

Serif or structured sans. Conservative weight. High stroke contrast. Generous x-height, long ascenders. Reads as: stable, trustworthy, established.

Georgia, Baskerville, Franklin Gothic

Startup

Geometric sans. Light to medium weights. Modern proportions, single-story "a." Reads as: agile, contemporary, accessible.

Montserrat, Inter, Poppins

Law Firm

Serif predominant. High thick/thin contrast. Conservative boldness. Reads as: expert, serious, precise.

Garamond, Baskerville, Georgia

Absecon Group sits between institutional and startup. You have the weight and track record of the first category, but the brand needs to feel current enough not to repel a younger operative class. A serif headline with a sans body is the pairing that gets both.

Chapter 03
Color
Pulled the actual hex values from every competitor screenshot.

How they all work

Across political and advisory firms, the strategy is the same: minimal palettes with one accent. Dark primary (black or navy), white for breathing room, one warm or distinctive accent used sparingly. No firm in this set runs more than three active colors. The ones that try lose coherence.

The accent color is what people remember. Everyone has dark and light. The accent is the identity.


Navy is everywhere

Navy is the default. Government, consulting, defense. Everyone reaches for it because it signals trust and authority. The problem is that when everyone uses it, nobody owns it. McKinsey makes it work by committing fully. The entire site lives inside their dark blue, with electric blue accents that pop against it. They don't use navy as a trim color. It's the entire environment. Most firms just pick a dark blue and call it done.

If we use navy, the gold accent needs to carry the differentiation. Or we skip navy entirely. Brunswick's deep purple and WestExec's purple duotone both prove you can signal institutional weight without touching blue.


Warm Whites

Every firm that reads as premium uses warm whites, never pure #FFFFFF. Pure white reads as default. Warm white reads as considered. Small detail, outsized impact.

#FFFFFF — default
#F6F6EF — Brunswick
#F5F2EB — Palette A
#F0EDE6 — Palette B
Chapter 04
Case Studies
Screenshotted 11 firms and pulled them apart. Colors, type, what's working, what's not. Visit any of these yourself.

Group A — Political / Public Affairs

Precision Strategies homepage
Precision Strategies
Visit Site
Obama campaign veterans. Integrated strategy + marketing. "Break new ground."
Sans-serif (likely Shentox or custom) • Bold headlines, clean hierarchy
What Works
Bold orange accent is distinctive and confident. Easily the most visually energetic site in the political set. The teal nav bar adds a second accent without cluttering things. "Don't just break through. Break new ground." lands fast. Clean hierarchy, responsive structure.
What Doesn't
Panda hero photography is creative but totally disconnected from political strategy. Reads more as creative agency or nonprofit. The visual energy is high enough that it might not feel credible to a political operative or energy exec. Two strong accent colors (orange + teal) is unusual for this space and risks looking trendy in two years.
SKDK homepage
SKDK
Visit Site
Anita Dunn's firm. "We bring a campaign mindset."
System fonts (Helvetica/Arial) • 36-42px headlines
What Works
Immediate authority. You know what this firm does in two seconds. "Campaign mindset" is sharp positioning. Dual logo system (color/white) shows application thinking. Clean hierarchy through size and weight alone.
What Doesn't
Austerity kills memorability. The soft blue gradient in the hero is the only visual warmth. Everything else is black text on white. Blue CTA button is standard. No case study depth. Effective for 30 seconds, forgotten in an hour.
Targeted Victory homepage
Targeted Victory
Visit Site
Digital-first, right of center. Stagwell Global. "Activating the world one voter at a time."
Bold display sans (geometric) • Desaturated B&W hero photography • Red accent
What Works
"Activating the world one voter at a time" with the red accent on "voter" is the one color moment on an otherwise desaturated, black-and-white page. It works. Clear PA vs. Political segmentation. Full-bleed dark photography creates immediate mood.
What Doesn't
The Instagram feed is the design. The brand is hostage to whatever gets posted on a given week. Culture-heavy, client-conviction-light. No metrics, no outcomes, no proof. Service buttons are prominent but shallow.
Firehouse Strategies homepage
Firehouse Strategies
Visit Site
Rubio alumni. "Authentic Persuasion." PRNEWS Platinum Agency of Year.
Roboto (Google) • Slab-serif logo • "AUTHENTIC" in red, "PERSUASION" in white
What Works
"AUTHENTIC PERSUASION" with the red/white split is immediately memorable. The firehouse imagery is literal but it works — it ties the name to a visual. Red as the sole accent, applied consistently. The brand is built on one strong color and it commits fully.
What Doesn't
Roboto is generic — Google Fonts default energy. The red + firehouse imagery risks reading as emergency services rather than political strategy. Layout is competent but not distinctive. Swap the red for another color and the brand collapses. Single-color dependency is a vulnerability.
Bully Pulpit International homepage
Bully Pulpit International
Visit Site
Obama digital veterans. Walmart, McDonald's, Goldman Sachs. "The world is changing."
Sans-serif + italic serif for emphasis • Full-bleed editorial photography
What Works
"The world is changing" with "changing" in italic serif is an editorial move — it signals taste. Full-bleed nature photography (golf course, not a conference room) is unexpected for a political firm and immediately differentiating. The multicolor logo mark adds personality without clutter. Navy buttons in the cookie banner/CTAs tie it together. Clean flat nav.
What Doesn't
The golf course hero is visually strong but doesn't communicate political strategy — it could be a lifestyle brand. No immediate signal of what the firm does. Client logos aren't visible above the fold. The "world is changing" message is vague without the context below the fold.

Group B — Institutional / Advisory

Booz Allen Hamilton homepage
Booz Allen Hamilton
Visit Site
Defense contractor and government consultant. "<its_in_our_code>"
Inter / system sans • Code-styled text treatment • Binary overlay in hero
What Works
The code/binary text overlay in the hero is genuinely distinctive — no one else in this space does anything like it. "<its_in_our_code>" rendered in markup syntax ties the tagline to the visual treatment. Teal/cyan text against the dark background pops. The whole hero says "we're a tech company that happens to do defense" — smart positioning for talent acquisition.
What Doesn't
The code wall is visually dense and borders on overwhelming — a scanning exec might bounce. Enterprise-scale aesthetic intimidates smaller clients. The cookie banner covers significant real estate. Red text accents in the code feel like error messages.
Brunswick Group homepage
Brunswick Group BEST IN CLASS
Visit Site
Global advisory. Critical issues. 27 offices.
Petit Serif + Helix 350-450 • 2.5-4.7rem headers • Fluid scaling
What Works
Serif + sans pairing (Petit Serif headlines, Helix body) is the most intentional type decision in the whole set. Deep purple (#0B0384) is distinctive — not navy, not tech-blue, just intellectual. Warm cream (#F6F6EF) prevents the palette from reading cold. Whitespace is aggressive and deliberate. Fluid typography scaling. Zero gradients, zero shadows, zero clutter. The design confidence is the brand.
What Doesn't
Verging on too minimal. The hero could push harder on differentiation. 27-office listing gets dense without filtering. The complaints are minor though. This is the benchmark.
Teneo homepage
Teneo
Visit Site
Global CEO advisory. "Vision 2026."
Serif display + sans body • Dark navy-to-purple gradient hero • Geometric T mark
What Works
The dark navy-to-purple gradient hero is visually rich without being noisy. "VISION 2026" badge with gold accent signals editorial authority — it reads as a report, not a homepage. The geometric T logomark is clean and scalable. Serif headlines against the gradient give it weight. Section spacing deeper in the site is generous and luxurious.
What Doesn't
The purple gradient risks reading as "tech company" rather than advisory firm. Cookie banner covers a significant portion of the hero. The gold badge accent is smart but feels like an isolated decision — not part of a broader color system. Below the fold it settles into a more generic consulting aesthetic.
WestExec Advisors homepage
WestExec Advisors
Visit Site
National security advisory. Bipartisan. Former Obama/Biden officials.
Sans-serif • Purple duotone hero photography • Red/wine logo stripes
What Works
The purple duotone photo treatment is immediately distinctive. Nobody else in this space uses purple at this scale. It transforms generic stock photography into something ownable. The red/wine logo stripes are a strong, angular mark. White background against purple hero creates clean contrast. Body copy is direct and substantive. Flat navigation works well.
What Doesn't
Limited differentiation between service areas. The purple duotone is one strong move but it's the only visual idea on the page. Below the hero it reverts to standard black on white. The dense body paragraph below the photo demands a lot of reading from a scanning audience. "Situation Room to Board Room" tagline isn't visible in the hero.
Akin homepage
Akin
Visit Site
Major law firm rebrand (formerly Akin Gump). "Future-focused and dedicated to excellence."
Dark serif wordmark • Geometric letter-A with B&W photography fill • Bright green dominant
What Works
The bright green is a bold departure from law firm navy-and-white — it signals "we're not your grandfather's firm." The oversized geometric letter-A with building photography inside it is a strong, ownable graphic element. Dark serif "Akin" wordmark is classic and confident. Search bar at the bottom of the hero is a smart UX move for a firm this large.
What Doesn't
The green is so dominant it borders on aggressive — it's the first, second, and third thing you see. Below the fold, the monochrome photography grid and carousels settle into standard law firm territory. Deep navigation requires too many clicks. The green works as a differentiator but it's doing all the work — without it, the underlying design is conventional.
McKinsey homepage
McKinsey & Company
Visit Site
The institutional benchmark. 2019 Wolff Olins rebrand.
Bower (custom serif) + McKinsey Sans • Deep navy bg • Electric blue accents
What Works
Bower is an ownership move — a custom serif typeface named after the founder. The entire site is dark navy — they don't just use blue as an accent, they live in it. Electric blue cards and CTAs pop against the deep background. "What's your next brilliant move?" is confident without being aggressive. Massive editorial content section (podcasts, reports, insights) positions them as thought leaders, not just consultants. The bright blue footer band is bold.
What Doesn't
The all-dark approach is relentless — there's no breathing room in the palette. Custom typeface is overkill for most budgets, and client decks fall back to Georgia + Arial since custom fonts don't embed in PowerPoint. The content density is massive — this is a media publication disguised as a consulting site, which only works at McKinsey's scale. For a smaller firm, this much content would feel desperate.
Chapter 05
Our Direction
Where Absecon Group fits, and three proposals built from what I learned across all 11 firms.

What you have that they don't

Three things none of these firms have.

A symbol. The lighthouse. A distinctive visual motif with a real story behind it. Nobody else in this space has anything close.

Named results. Knox County, Fairfield County. Specific projects, specific outcomes. Most competitors show logos and hope you're impressed. You can show wins.

Range. Pentagon to county board. DC influence to utility-scale solar. That range is an adaptability story if we frame it right.


Color Proposals

Palette A — Navy + Gold

Brunswick's institutional weight with warmer tone. WestExec's restraint with more character. Navy earns trust instantly — gold is the differentiator.

Deep Navy#0B1D3A
Steel Blue#3A5A7C
Warm Gold#C9A84C
Warm White#F5F2EB
Charcoal#2C2C2E
Warm Gray#9B9A97
Political Strategy • Paid Media • Public Affairs
We move public
A political strategy and paid media firm built on real experience inside the machine — campaigns, Congress, the White House, the Pentagon.
01
Paid Media
Campaigns across digital, broadcast, and connected TV. $200M+ planned and executed.
02
Public Affairs
Stakeholder engagement, message development, and advocacy campaigns for complex approvals.
03
Survey+
Community intelligence platform for energy developers navigating political risk.

Palette B — Black + Copper

SKDK's authority with copper warmth instead of clinical cyan. Reads as private intelligence, defense consulting, architecture firm. The refined version of the original war room direction.

True Black#111111
Graphite#2A2A2A
Copper#B87333
Ivory#F0EDE6
Mid Gray#6B6B6B
Warm Sand#D4C5A9
Political Strategy • Paid Media • Public Affairs
We move public
A political strategy and paid media firm built on real experience inside the machine — campaigns, Congress, the White House, the Pentagon.
01
Paid Media
Campaigns across digital, broadcast, and connected TV. $200M+ planned and executed.
02
Public Affairs
Stakeholder engagement, message development, and advocacy campaigns for complex approvals.
03
Survey+
Community intelligence platform for energy developers navigating political risk.

Palette C — Slate + Teal

Brunswick's strategy — pick a color nobody else uses. The teal carries coastal DNA (Absecon Island, the shore) without getting nautical. Think tank, premium advisory, above the fray. Most risk, most differentiation.

Deep Slate#1E2B33
Charcoal Slate#3D4F5F
Muted Teal#4A7C7E
Warm Ivory#F7F4EE
Cool Gray#7A8087
Forest#2D4A42
Political Strategy • Paid Media • Public Affairs
We move public
A political strategy and paid media firm built on real experience inside the machine — campaigns, Congress, the White House, the Pentagon.
01
Paid Media
Campaigns across digital, broadcast, and connected TV. $200M+ planned and executed.
02
Public Affairs
Stakeholder engagement, message development, and advocacy campaigns for complex approvals.
03
Survey+
Community intelligence platform for energy developers navigating political risk.

Typography Pairings

Each pairing shown in context — headline, subhead, body — with its recommended palette.

Pairing 1 — Libre Baskerville + Inter   |   Best with Palette A
Absecon Group
We move public opinion.
A political strategy and paid media firm built on real experience inside the machine — campaigns, Congress, the White House, the Pentagon.
Editorial authority + digital clarity. The free equivalent of McKinsey's Bower + sans approach. Serif signals heritage without being stiff.
Pairing 2 — Source Serif 4 + Work Sans   |   Best with Palette C
Absecon Group
We move public opinion.
A political strategy and paid media firm built on real experience inside the machine — campaigns, Congress, the White House, the Pentagon.
Warmer, more contemporary serif. Softer edges than Baskerville — less "old institution," more "modern institution." Approachable without losing weight.
Pairing 3 — Work Sans + IBM Plex Sans   |   Best with Palette B
Absecon Group
We move public opinion.
A political strategy and paid media firm built on real experience inside the machine — campaigns, Congress, the White House, the Pentagon.
The all-sans direction. Clean, modern, digital-first. Less personality than the serif options but scales cleanly and reads as tech-forward.

Composition Principles

Generous whitespace. Brunswick-level breathing room. Teneo's 5rem section gaps. Confident sites leave space. Your site should feel like a briefing document, not a brochure.

Flat navigation. Horizontal on desktop. No mega-menus, no hamburger on desktop. Content never competes with chrome for attention.

Narrow content width, around 1080px. Narrower than most sites, which creates vertical density and focus. Ruled dividers between sections keep things organized without clutter.

No stock photography. I'll build all icons, motifs, and logo variations in Figma. Data visualization from Survey+ (maps, sentiment data) can serve as visual content. The lighthouse is an architectural asset, not clipart.


Reference Board

Sources I'm drawing from for the logo, emblem, and type direction. These aren't templates. They're starting points for what I'll build in Figma.

Lighthouse Logo References

Lighthouse Brewing — Roundel approach. Lighthouse icon simplified to work at small scales inside a circle. Clean, retail-friendly. View

Peter Vasvari — Geometric positive/negative space lighthouse mark with concealed silhouette elements. Award-winning. View

Trinity House — UK lighthouse authority (est. 1514). Heritage emblem simplified for modern use. Wave motifs represent light, sound, tidal patterns. View

Harbour Brewing — Coastal identity distilled into a clean, retail-friendly mark. Simplicity at heart. View

Emblem System References

Booz Allen Hamilton logo evolution — How a major consulting firm moved from ornate to minimal over time while retaining institutional authority. View

McKinsey rebrand by Wolff Olins — Full identity system including the "Partnership Mark," Bower typeface, photography direction. View

Figma logo types guide — Emblem vs. combination mark vs. wordmark. How each scales and adapts. View

Behance lighthouse brand identity — Full case study showing a clean, modern lighthouse brand with emblem + wordmark system. View

Type Specimens Worth Seeing

Freight Display Pro — High-contrast editorial serif. Warm, authoritative. The premium option if budget allows. Specimen

Canela — Sans/serif hybrid by Commercial Type. Inscriptional quality. Specimen

Tiempos Headline — Balance of practicality and elegance by Klim. Tighter spacing, higher contrast. Specimen

Sohne — Neo-grotesque by Klim. Inspired by Akzidenz-Grotesk filtered through Helvetica. Clean, modern, institutional. Specimen

Color Inspiration Sources

J.P. Morgan Chase visual identity — How a major institution uses deep blue + white + warm accents. Benchmark for Palette A. View

Aesop / The Row aesthetic — Black + warm white + metallic accents. "Quiet luxury." Benchmark for Palette B. Reference

Teal in real brands — 272+ companies using teal. Which industries pull it off and how. Benchmark for Palette C. Browse

Brunswick Group — The standard. Deep purple + warm cream + serif/sans pairing. Visit

A note on imagery

We don't have custom photography yet. Everything visual in the final site will be either: screenshots I've captured, architectural photos of the lighthouse (public domain from LOC and the museum), data visualizations from Survey+, or design elements I build in Figma. No stock photos. The references above are for direction, not for use.

Chapter 06
Decisions
Six things I need from you before I start building.

1. Color direction

A (Navy + Gold), B (Black + Copper), or C (Slate + Teal)? Or a mix? I just spent a chapter on why navy is overdone. Palette A is navy anyway because your audience trusts it instinctively. The gold is what separates yours from generic consulting navy. A and B are about doing conventional things better than the competition. Only C does something genuinely different.

2. Typography

Serif headlines (Pairing 1 or 2) or all-sans (Pairing 3)? Which reads as "us"? Brunswick and McKinsey both moved to serif headlines recently. The firms still on system sans feel interchangeable.

3. Lighthouse abstraction

Literal silhouette, geometric reduction, or minimal mark? Strongest asset in the set. Nobody has anything like it. The constraint: the moment a rope texture or wave pattern appears next to it, we've become a seafood restaurant. We treat it as architecture, not nautical decor. I'll build several variations in Figma for you to react to.

4. Tone check

Does the personality I described in Chapter 1 match how you see the firm? Pentagon to county board is impressive, but most firms pick a lane. Your brand needs to work in a Pentagon briefing and a solar farm stakeholder meeting without looking wrong at either. That's why these recommendations lean toward restrained sophistication.

5. Domain

Is absecongroup.com secured? Need it for the build.

6. Corrections

If anything here misrepresents the firm, tell me now. Better to course-correct before I start building.